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Earlier attempts to join the two halves and restore the work resulted in abrasions and also removed delicate details from the original.Because of all this, the was only recently authenticated by experts, including the Metropolitan Museum of Art in New York.Regardless, it was definitely a highlight and positioned close to the top of the sale as the ninth lot.The artwork, put up for sale by Russian billionaire Dmitry Rybolovlev, is fascinating for a host of reasons.It's been called ethereal, mysterious, spooky and a rediscovered masterpiece.
Depicting a half-length, front-facing Christ figure grasping a crystal orb in one hand, with the other raised in a gesture of benediction, the work is an outlier of sorts for Christie's annual auction of post-war and contemporary art.Thomas Lawrence, London; Samuel Woodburn, London; Lawrence-Woodburn sale 1860, June 8, lot 1038; private collection, England; [P.& D.Colnaghi & Co., London]; Ludwig Rosenthal, Bern, Switzerland; (later L. Randall, Montreal); [Schaeffer Galleries, New York]; acquired by Robert Lehman from Schaeffer Galleries in February 1945 The Robert Lehman Collection. 5, Italian Fifteenth- to Seventeenth-Century Drawings Painters of Reality: The Legacy of Leonardo and Caravaggio in Lombardy The Metropolitan Museum of Art. 4, The Renaissance in Italy and Spain Leonardo da Vinci: Master Draftsman The Art of Renaissance Europe: A Resource for Educators Art and Anatomy in Renaissance Italy: Images from a Scientific Revolution [adapted from The Metropolitan Museum of Art Bulletin, v. An American art expert named Robert Simon discovered it for sale at a regional U. auction in 2005 and, on a hunch, invested in years of cleaning, restoration and researching its source.In 2011, it was announced as a true piece by Leonardo and included in the British National Gallery's exhibit Leonardo da Vinci: Painter at the Court of Milan.